Lost in Process - Cristoph Remix
30s preview
- BPM
- 122
- Open Key
- 3d
- Energy
- 51/100
- Pop
- 3/100
- Length
- 8:24
- Released
- 2014
- Album
- Lost in Process EP
- Genre
- Tech House
- Loudness
- -7.5 dB
- Dynamics
- 10.6 dB
- ISRC
- ES84B1410157
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lost in Process - Original Mixoriginal7A · 123
Against the original (7A at 123 BPM), this version runs 1 BPM slower and moves the key from 7A to 10B.
A club-tempo tech house cut, Lost in Process - Cristoph Remix sits in D major (10B) at 122 BPM. The feel is balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2014 production that still circulates in sets. Calmer than 97% of Cristoph's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 87% of Cristoph's catalogue
- Low end:
- more bass-heavy than 87% of Cristoph's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Lost in Process - Cristoph Remix in?
Lost in Process - Cristoph Remix by Cristoph is in D major, or 10B on the Camelot wheel.
What BPM is Lost in Process - Cristoph Remix?
Lost in Process - Cristoph Remix runs at 122 BPM, a club-tempo track.
What mixes well with Lost in Process - Cristoph Remix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Lost in Process - Cristoph Remix good for peak time?
With energy 51 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 122 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More tech house
More from Cristoph
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
