Bonnie by Jonas Saalbach cover art

30s preview

Key
2A · E♭ minor
BPM
122
Open Key
7m
Energy
50/100
Pop
2/100
Length
7:06
Released
2017
Genre
Tech House
Loudness
-10.1 dB
Dynamics
11.2 dB
ISRC
FR10S1774186

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo tech house cut, Bonnie sits in E♭ minor (2A) at 122 BPM. Tonally it lands balanced in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2017 production that still circulates in sets. Calmer than 81% of Jonas Saalbach's catalogue. For programming, treat it as a mid-set roller.

Low end:
more bass-heavy than 76% of Jonas Saalbach's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy50
Mood36Balanced
Groove77
Acoustic0
Instrumental86
Live7
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
43%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
16%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Bonnie in?

Bonnie by Jonas Saalbach is in E♭ minor, or 2A on the Camelot wheel.

What BPM is Bonnie?

Bonnie runs at 122 BPM, a club-tempo track.

What mixes well with Bonnie?

From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.

Is Bonnie good for peak time?

With energy 50 out of 100 at 122 BPM, it works best as a mid-set roller.

Mixes harmonically

2A1A · 3A · 2B

From 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.

Every move from 2A

3ASimple Mix Upper
1ASimple Mix Downer
2BTonal Shift·
3BDiagonal Mix Upper
1BDiagonal Mix Downer
11BCompatible Tone·
4AHigh Energy Boost▲▲▲
12AHigh Energy Drain▼▼▼
5AParallel Key Upper▲▲
11AParallel Key Downer▼▼
9ATritone Jump▲▲
6ARelated Keyrisky

How to mix it

In 2A at 122 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

More tech house

More from Jonas Saalbach

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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