Chemistry Flowers - Willy Real & David Prap Remix
- BPM
- 122
- Open Key
- 3d
- Energy
- 52/100
- Pop
- 0/100
- Length
- 6:20
- Released
- 2013
- Album
- Lumio
- Genre
- Progressive House
- Loudness
- -11.0 dB
- ISRC
- US83Z1338872
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Chemistry Flowers - Original Mixoriginal3B · 122
Against the original (3B at 122 BPM), this version holds the same tempo and moves the key from 3B to 10B.
At 122 BPM in D major (10B), Chemistry Flowers - Willy Real & David Prap Remix is a club-tempo progressive house production. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. More underground than 99% of Michael A's catalogue.
- Energy:
- calmer than 93% of Michael A's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Chemistry Flowers - Willy Real & David Prap Remix in?
Chemistry Flowers - Willy Real & David Prap Remix by Michael A is in D major, or 10B on the Camelot wheel.
What BPM is Chemistry Flowers - Willy Real & David Prap Remix?
Chemistry Flowers - Willy Real & David Prap Remix runs at 122 BPM, a club-tempo track.
What mixes well with Chemistry Flowers - Willy Real & David Prap Remix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Chemistry Flowers - Willy Real & David Prap Remix good for peak time?
With energy 52 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 122 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive house
More from Michael A
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
