
Tilll
30s preview
- BPM
- 122
- Open Key
- 4d
- Energy
- 54/100
- Pop
- 0/100
- Length
- 7:28
- Released
- 2015
- Genre
- Progressive House
- Loudness
- -11.6 dB
- Dynamics
- 11.0 dB
- ISRC
- US83Z1505200
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Tilll - Jelly for the Babies Remixremix10A · 122
- Tilll - Kobb Remixremix10B · 122
- Tilll - Michael A Remixremix3B · 122
A club-tempo progressive house cut, Tilll sits in A major (11B) at 122 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). A 2015 production that still circulates in sets. More underground than 99% of Lonya's catalogue.
- Energy:
- calmer than 90% of Lonya's catalogue
- Brightness:
- brighter than 90% of Lonya's catalogue
- Groove:
- groovier than 80% of Lonya's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Tilll in?
Tilll by Lonya is in A major, or 11B on the Camelot wheel.
What BPM is Tilll?
Tilll runs at 122 BPM, a club-tempo track.
What mixes well with Tilll?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Tilll good for peak time?
With energy 54 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 122 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive house
More from Lonya
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.