Stop Jealousy - Boddhi Beats
- BPM
- 120
- Open Key
- 7m
- Energy
- 84/100
- Pop
- 0/100
- Length
- 3:00
- Released
- 2014
- Album
- The Remixes
- Genre
- Deep House
- Loudness
- -9.4 dB
- ISRC
- GBEQT1400103
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Stop Jealousy - Ancestral Dubversion3B · 120
- Stop Jealousy - Ancestral Soul Mixoriginal3B · 120
- Stop Jealousy - Ancestrumental Mixoriginal2A · 120
- Stop Jealousy - Culoe De Song Shelt Editversion2B · 124
- Stop Jealousy - Dubstrumentalversion3A · 120
- Stop Jealousy - Instrumental Mixoriginal3A · 122
A club-tempo deep house cut, Stop Jealousy - Boddhi Beats sits in E♭ minor (2A) at 120 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2014 production that still circulates in sets. More underground than 99% of Boddhi Satva's catalogue. For programming, treat it as a floor-filler.
- Energy:
- hotter than 89% of Boddhi Satva's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Stop Jealousy - Boddhi Beats in?
Stop Jealousy - Boddhi Beats by Boddhi Satva is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Stop Jealousy - Boddhi Beats?
Stop Jealousy - Boddhi Beats runs at 120 BPM, a club-tempo track.
What mixes well with Stop Jealousy - Boddhi Beats?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Stop Jealousy - Boddhi Beats good for peak time?
With energy 84 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 120 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More deep house
More from Boddhi Satva
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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