Call Me - Instrumental
30s preview
- BPM
- 120
- Open Key
- 7d
- Energy
- 81/100
- Pop
- 0/100
- Length
- 7:36
- Released
- 2024
- Album
- Call Me
- Genre
- House
- Loudness
- -10.8 dB
- Dynamics
- 12.8 dB
- ISRC
- GBKQU2433172
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Call Meoriginal3A · 120
Against the original (3A at 120 BPM), this version holds the same tempo and moves the key from 3A to 2B.
A club-tempo house cut, Call Me - Instrumental sits in F♯ major (2B) at 120 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). More underground than 99% of Saint Evo's catalogue. For programming, treat it as a floor-filler.
- Brightness:
- brighter than 87% of Saint Evo's catalogue
- Tempo:
- slower than 82% of Saint Evo's catalogue
- Groove:
- groovier than 75% of Saint Evo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Call Me - Instrumental in?
Call Me - Instrumental by Saint Evo is in F♯ major, or 2B on the Camelot wheel.
What BPM is Call Me - Instrumental?
Call Me - Instrumental runs at 120 BPM, a club-tempo track.
What mixes well with Call Me - Instrumental?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Call Me - Instrumental good for peak time?
With energy 81 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 120 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More house
More from Saint Evo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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