Morning Prayer - DJ E-Clyps Blacklight Dub
- BPM
- 122
- Open Key
- 8m
- Energy
- 51/100
- Pop
- 0/100
- Length
- 6:24
- Released
- 2016
- Album
- Morning Prayer (Part 2)
- Genre
- House
- Loudness
- -13.0 dB
- ISRC
- QMTGL1600036
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Morning Prayer - Bontan Remixremix9B · 123
- Morning Prayer - Original Vocal Mixoriginal4B · 122
- Morning Prayer - Dubversion4B · 122
- Morning Prayer - Franky Rizardo Remixremix4B · 124
Against the original (4B at 122 BPM), this version holds the same tempo and moves the key from 4B to 3A.
Morning Prayer - DJ E-Clyps Blacklight Dub is a club-tempo house track in B♭ minor (3A) at 122 BPM. The feel is dark and steady. The groove is strong and floor-ready. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. More underground than 99% of Roger Sanchez's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 94% of Roger Sanchez's catalogue
- Energy:
- calmer than 92% of Roger Sanchez's catalogue
- Brightness:
- darker than 82% of Roger Sanchez's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Morning Prayer - DJ E-Clyps Blacklight Dub in?
Morning Prayer - DJ E-Clyps Blacklight Dub by Roger Sanchez is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Morning Prayer - DJ E-Clyps Blacklight Dub?
Morning Prayer - DJ E-Clyps Blacklight Dub runs at 122 BPM, a club-tempo track.
What mixes well with Morning Prayer - DJ E-Clyps Blacklight Dub?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Morning Prayer - DJ E-Clyps Blacklight Dub good for peak time?
With energy 51 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 122 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More house
More from Roger Sanchez
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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