The Terminal (Sébastien Léger Remix)
30s preview
- BPM
- 122
- Open Key
- 7d
- Energy
- 51/100
- Pop
- 0/100
- Length
- 7:37
- Released
- 2017
- Genre
- Progressive House
- Loudness
- -8.4 dB
- Dynamics
- 10.2 dB
- ISRC
- NLF711703996
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
The Terminal (Sébastien Léger Remix) runs 122 BPM in F♯ major (2B), a club-tempo progressive house record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. More underground than 99% of Eelke Kleijn's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 97% of Eelke Kleijn's catalogue
- Energy:
- calmer than 87% of Eelke Kleijn's catalogue
- Groove:
- groovier than 76% of Eelke Kleijn's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is The Terminal (Sébastien Léger Remix) in?
The Terminal (Sébastien Léger Remix) by Eelke Kleijn is in F♯ major, or 2B on the Camelot wheel.
What BPM is The Terminal (Sébastien Léger Remix)?
The Terminal (Sébastien Léger Remix) runs at 122 BPM, a club-tempo track.
What mixes well with The Terminal (Sébastien Léger Remix)?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is The Terminal (Sébastien Léger Remix) good for peak time?
With energy 51 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 122 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive house
More from Eelke Kleijn
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.