We Can
- BPM
- 122
- Open Key
- 9d
- Energy
- 43/100
- Pop
- 7/100
- Length
- 6:59
- Released
- 1999
- Album
- My Old Friend / We Can
- Genre
- Deep House
- Loudness
- -14.9 dB
- ISRC
- GBDGX9901002
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- We Can - Crates Motel Remasteroriginal4B · 122
- We Can - Original Mixoriginal4B · 122
We Can is a club-tempo deep house track in A♭ major (4B) at 122 BPM. The feel is bright and easy. The master keeps real dynamic headroom. A 1999 production that still circulates in sets. Calmer than 97% of Kerri Chandler's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- slower than 92% of Kerri Chandler's catalogue
- Brightness:
- brighter than 87% of Kerri Chandler's catalogue
- Reach:
- better known than 77% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is We Can in?
We Can by Kerri Chandler is in A♭ major, or 4B on the Camelot wheel.
What BPM is We Can?
We Can runs at 122 BPM, a club-tempo track.
What mixes well with We Can?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is We Can good for peak time?
With energy 43 out of 100 at 122 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 122 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More deep house
More from Kerri Chandler
Full profile
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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