Ain't No Stoppin' Love - Roots Nyc Instrumental
- BPM
- 123
- Open Key
- 8d
- Energy
- 46/100
- Pop
- 0/100
- Length
- 8:45
- Released
- 2014
- Album
- Ain't No Stoppin' Love
- Genre
- House
- Loudness
- -8.4 dB
- ISRC
- GBKQU1461141
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Ain't No Stoppin' Love - Roots Nyc Mixoriginal4A · 123
- Ain't No Stoppin' Love - David Morales Red Zone Mixoriginal8B · 123
- Ain't No Stoppin' Love - Radio Editversion4A · 123
- Ain't No Stoppin' Love - Red Zone Beatsoriginal10A · 123
- Ain't No Stoppin' Love - Red Zone Instrumentaloriginal8B · 123
- Ain't No Stoppin' Love - Roots Nyc Mix Alt Bkgsoriginal4A · 123
Against the original (4A at 123 BPM), this version holds the same tempo and moves the key from 4A to 3B.
At 123 BPM in D♭ major (3B), Ain't No Stoppin' Love - Roots Nyc Instrumental is a club-tempo house production. It reads as bright and easy. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2014 production that still circulates in sets. More underground than 99% of Louie Vega's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 96% of Louie Vega's catalogue
- Groove:
- groovier than 93% of Louie Vega's catalogue
- Brightness:
- brighter than 81% of Louie Vega's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Ain't No Stoppin' Love - Roots Nyc Instrumental in?
Ain't No Stoppin' Love - Roots Nyc Instrumental by Louie Vega is in D♭ major, or 3B on the Camelot wheel.
What BPM is Ain't No Stoppin' Love - Roots Nyc Instrumental?
Ain't No Stoppin' Love - Roots Nyc Instrumental runs at 123 BPM, a club-tempo track.
What mixes well with Ain't No Stoppin' Love - Roots Nyc Instrumental?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Ain't No Stoppin' Love - Roots Nyc Instrumental good for peak time?
With energy 46 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 123 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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