![Keep One (But Do it Again) [Sir Henrys] by Kerri Chandler cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/c79e30f17ec604f18898.webp)
Keep One (But Do it Again) [Sir Henrys]
30s preview
- Key
- 8A · A minor
- BPM
- 123
- Open Key
- 1m
- Energy
- 46/100
- Pop
- 5/100
- Length
- 7:05
- Released
- 2022
- Album
- Spaces and Places Album Sampler 3
- Genre
- Deep House
- Loudness
- -7.6 dB
- Dynamics
- 11.3 dB
- ISRC
- GBKQU2263482
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Keep One (But Do it Again) [Sir Henrys] runs 123 BPM in A minor (8A), a club-tempo deep house record. It reads as dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Groovier than 99% of Kerri Chandler's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- darker than 98% of Kerri Chandler's catalogue
- Energy:
- calmer than 96% of Kerri Chandler's catalogue
- Tempo:
- slower than 84% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Keep One (But Do it Again) [Sir Henrys] in?
Keep One (But Do it Again) [Sir Henrys] by Kerri Chandler is in A minor, or 8A on the Camelot wheel.
What BPM is Keep One (But Do it Again) [Sir Henrys]?
Keep One (But Do it Again) [Sir Henrys] runs at 123 BPM, a club-tempo track.
What mixes well with Keep One (But Do it Again) [Sir Henrys]?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Keep One (But Do it Again) [Sir Henrys] good for peak time?
With energy 46 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 123 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.