Be Someone - Acoustic
30s preview
- BPM
- 123
- Open Key
- 8m
- Energy
- 47/100
- Pop
- 21/100
- Length
- 3:52
- Released
- 2019
- Album
- Be Someone (Acoustic)
- Genre
- House
- Label
- RCA
- Loudness
- -12.2 dB
- Dynamics
- 13.9 dB
- ISRC
- GBARL1901035
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Be Someoneoriginal3A · 122
- Be Someoneoriginal3A · 122
- Be Someone - Cristoph Remixremix4A · 125
- Be Someoneoriginal3A · 122
- Be Someone - Skream Remixremix4A · 126
Against the original (3A at 122 BPM), this version runs 1 BPM faster in the same key.
Be Someone - Acoustic is a club-tempo house track in B♭ minor (3A) at 123 BPM. The feel is balanced in mood. It is vocal-led. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). Calmer than 98% of CamelPhat's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more treble-tilted than 81% of CamelPhat's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Be Someone - Acoustic in?
Be Someone - Acoustic by CamelPhat is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Be Someone - Acoustic?
Be Someone - Acoustic runs at 123 BPM, a club-tempo track.
What mixes well with Be Someone - Acoustic?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Be Someone - Acoustic good for peak time?
With energy 47 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 123 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from CamelPhat
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.