Be Someone - Cristoph Remix
30s preview
- Key
- 4A · F minor
- BPM
- 125
- Open Key
- 9m
- Energy
- 88/100
- Pop
- 21/100
- Length
- 3:37
- Released
- 2019
- Album
- Be Someone (Cristoph Remix)
- Genre
- Progressive House
- Label
- RCA
- Loudness
- -7.1 dB
- Dynamics
- 10.0 dB
- ISRC
- GBARL1900890
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Be Someoneoriginal3A · 122
- Be Someoneoriginal3A · 122
- Be Someone - Acousticoriginal3A · 123
- Be Someoneoriginal3A · 122
- Be Someone - Skream Remixremix4A · 126
Against the original (3A at 122 BPM), this version runs 3 BPM faster and moves the key from 3A to 4A.
Be Someone - Cristoph Remix runs 125 BPM in F minor (4A), a club-tempo progressive house record. Its spectrum is weighted to the sub and kick, with a heavy low end. Brighter than 80% of CamelPhat's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Be Someone - Cristoph Remix in?
Be Someone - Cristoph Remix by CamelPhat is in F minor, or 4A on the Camelot wheel.
What BPM is Be Someone - Cristoph Remix?
Be Someone - Cristoph Remix runs at 125 BPM, a club-tempo track.
What mixes well with Be Someone - Cristoph Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Be Someone - Cristoph Remix good for peak time?
With energy 88 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 125 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More progressive house
More from CamelPhat
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
