Kumare - Acid Pauli & Viken Arman Remix
30s preview
- BPM
- 123
- Open Key
- 8m
- Energy
- 49/100
- Pop
- 10/100
- Length
- 9:09
- Released
- 2024
- Album
- Kumare (Acid Pauli & Viken Arman Remix)
- Genre
- Minimal
- Loudness
- -15.1 dB
- Dynamics
- 6.7 dB
- ISRC
- DEEC33501548
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Kumare - Acid Pauli & Viken Arman Remix is a club-tempo minimal track in B♭ minor (3A) at 123 BPM. The feel is dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master is squashed flat, built for loudness (crest 7 dB). More bass-heavy than 91% of Acid Pauli's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- darker than 84% of Acid Pauli's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 49%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is Kumare - Acid Pauli & Viken Arman Remix in?
Kumare - Acid Pauli & Viken Arman Remix by Acid Pauli is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Kumare - Acid Pauli & Viken Arman Remix?
Kumare - Acid Pauli & Viken Arman Remix runs at 123 BPM, a club-tempo track.
What mixes well with Kumare - Acid Pauli & Viken Arman Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Kumare - Acid Pauli & Viken Arman Remix good for peak time?
With energy 49 out of 100 at 123 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 123 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More minimal
More from Acid Pauli
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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