Brokenhearted - Original Mix
30s preview
- BPM
- 120
- Open Key
- 5m
- Energy
- 76/100
- Pop
- 0/100
- Length
- 4:51
- Released
- 2016
- Album
- Brokenhearted EP
- Genre
- Punk
- Loudness
- -9.3 dB
- Dynamics
- 20.7 dB
- ISRC
- GBMKA1686523
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Brokenhearted - Applebottom Remixremix4B · 124
- Brokenhearted - Timo Mass & James Teej Remixremix4B · 123
A club-tempo punk cut, Brokenhearted - Original Mix sits in D♭ minor (12A) at 120 BPM. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 21 dB). A 2016 production that still circulates in sets. More underground than 99% of Kidnap's catalogue. For programming, treat it as a floor-filler.
- Low end:
- more treble-tilted than 91% of Kidnap's catalogue
- Brightness:
- brighter than 89% of Kidnap's catalogue
- Groove:
- groovier than 76% of Kidnap's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Brokenhearted - Original Mix in?
Brokenhearted - Original Mix by Kidnap is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Brokenhearted - Original Mix?
Brokenhearted - Original Mix runs at 120 BPM, a club-tempo track.
What mixes well with Brokenhearted - Original Mix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Brokenhearted - Original Mix good for peak time?
With energy 76 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 120 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More punk
More from Kidnap
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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