Deep In The Bottom (of Africa) - SIR LSG Remix Edit (Radio Edit)
- BPM
- 120
- Open Key
- 8d
- Energy
- 78/100
- Pop
- 0/100
- Length
- 5:30
- Released
- 2025
- Album
- Deep In The Bottom (Of Africa) The Remixes [Pt. 1]
- Genre
- Punk
- Loudness
- -6.4 dB
- ISRC
- US25T1500036
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Deep In The Bottom - The Jouney Mixoriginal3B · 124
- Deep In The Bottom - of Africaoriginal3B · 128
- Deep In The Bottom (of Africa) - DBN Gogo & Ntwana_R Remix (Radio Edit)remix6A · 112
- Deep In The Bottom (of Africa) - 2woBunnies & Caleb X Remixremix4A · 112
- Deep In The Bottom (of Africa) - 2woBunnies & Caleb X Remix Edit (Radio Edit)remix4A · 112
- Deep In The Bottom (of Africa) - Citizen Deep Remixremix3B · 118
Against the original (3B at 124 BPM), this version runs 4 BPM slower in the same key.
A club-tempo punk cut, Deep In The Bottom (of Africa) - SIR LSG Remix Edit (Radio Edit) sits in D♭ major (3B) at 120 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. It is vocal-led. More underground than 99% of Black Coffee's catalogue.
- Tempo:
- slower than 76% of Black Coffee's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Deep In The Bottom (of Africa) - SIR LSG Remix Edit (Radio Edit) in?
Deep In The Bottom (of Africa) - SIR LSG Remix Edit (Radio Edit) by Black Coffee is in D♭ major, or 3B on the Camelot wheel.
What BPM is Deep In The Bottom (of Africa) - SIR LSG Remix Edit (Radio Edit)?
Deep In The Bottom (of Africa) - SIR LSG Remix Edit (Radio Edit) runs at 120 BPM, a club-tempo track.
What mixes well with Deep In The Bottom (of Africa) - SIR LSG Remix Edit (Radio Edit)?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Deep In The Bottom (of Africa) - SIR LSG Remix Edit (Radio Edit) good for peak time?
With energy 78 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 120 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More punk
More from Black Coffee
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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