Sun After Rain - Kaidi Tatham's After the Sun remix
30s preview
- BPM
- 119
- Open Key
- 9d
- Energy
- 72/100
- Pop
- 3/100
- Length
- 6:22
- Released
- 2020
- Album
- Sun After Rain
- Genre
- House
- Loudness
- -5.5 dB
- Dynamics
- 14.4 dB
- ISRC
- GBJX31987045
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Sun After Rainoriginal6A · 119
- Sun After Rain - Radio Editversion6A · 119
Against the original (6A at 119 BPM), this version holds the same tempo and moves the key from 6A to 4B.
At 119 BPM in A♭ major (4B), Sun After Rain - Kaidi Tatham's After the Sun remix is a club-tempo house production. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The master keeps unusual dynamic range for club music (crest 14 dB). More treble-tilted than 79% of Folamour's catalogue. For programming, treat it as a floor-filler.
- Reach:
- more underground than 75% of Folamour's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Sun After Rain - Kaidi Tatham's After the Sun remix in?
Sun After Rain - Kaidi Tatham's After the Sun remix by Folamour is in A♭ major, or 4B on the Camelot wheel.
What BPM is Sun After Rain - Kaidi Tatham's After the Sun remix?
Sun After Rain - Kaidi Tatham's After the Sun remix runs at 119 BPM, a club-tempo track.
What mixes well with Sun After Rain - Kaidi Tatham's After the Sun remix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Sun After Rain - Kaidi Tatham's After the Sun remix good for peak time?
With energy 72 out of 100 at 119 BPM, it works best as a floor-filler.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 119 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 112-126 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 119 — beatmatch without a big tempo pull.
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 119 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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