When U Came Into My Life
30s preview
- Key
- 9A · E minor
- BPM
- 124
- Open Key
- 2m
- Energy
- 61/100
- Pop
- 52/100
- Length
- 8:08
- Released
- 2016
- Genre
- House
- Loudness
- -12.7 dB
- Dynamics
- 15.0 dB
- ISRC
- FR9Z61700007
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 124 BPM in E minor (9A), When U Came Into My Life is a club-tempo house production. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2016 production that still circulates in sets. Better known than 99% of Folamour's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 81% of Folamour's catalogue
- Energy:
- calmer than 80% of Folamour's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is When U Came Into My Life in?
When U Came Into My Life by Folamour is in E minor, or 9A on the Camelot wheel.
What BPM is When U Came Into My Life?
When U Came Into My Life runs at 124 BPM, a club-tempo track.
What mixes well with When U Came Into My Life?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is When U Came Into My Life good for peak time?
With energy 61 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 124 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
![Change Your Mind [District 8] - Full Vocal by Kerri Chandler cover art](https://i.scdn.co/image/ab67616d00001e027988d19449b35938f845e90c){kind=small}
![Tenacity [Output] - Main Vocal Mix by Kerri Chandler cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/3864cae2c4f8db13f423.webp){kind=small}
More from Folamour
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.