We Come from the Stars - Jody Wisternoff Remix
30s preview
- BPM
- 124
- Open Key
- 8d
- Energy
- 61/100
- Pop
- 18/100
- Length
- 4:01
- Released
- 2023
- Album
- We Come from the Stars
- Genre
- Progressive House
- Loudness
- -7.2 dB
- Dynamics
- 11.8 dB
- ISRC
- NLD682301156
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
We Come from the Stars - Jody Wisternoff Remix is a club-tempo progressive house track in D♭ major (3B) at 124 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Groovier than 88% of Jody Wisternoff's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 88% of Jody Wisternoff's catalogue
- Energy:
- calmer than 82% of Jody Wisternoff's catalogue
- Low end:
- more bass-heavy than 79% of Jody Wisternoff's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is We Come from the Stars - Jody Wisternoff Remix in?
We Come from the Stars - Jody Wisternoff Remix by Jody Wisternoff is in D♭ major, or 3B on the Camelot wheel.
What BPM is We Come from the Stars - Jody Wisternoff Remix?
We Come from the Stars - Jody Wisternoff Remix runs at 124 BPM, a club-tempo track.
What mixes well with We Come from the Stars - Jody Wisternoff Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is We Come from the Stars - Jody Wisternoff Remix good for peak time?
With energy 61 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 124 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
