Harmony - 6:23 Rage Mix
30s preview
- Key
- 5A · C minor
- BPM
- 124
- Open Key
- 10m
- Energy
- 61/100
- Pop
- 0/100
- Length
- 7:01
- Released
- 2019
- Album
- Harmony (Remixes)
- Genre
- Deep House
- Loudness
- -8.7 dB
- Dynamics
- 14.5 dB
- ISRC
- UAIV11900064
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Harmony - 6:23 Shelter Mixoriginal11A · 128
- Harmony - Psycho X 6:23original9B · 125
- Harmony - Rubber Room Mixoriginal2B · 125
At 124 BPM in C minor (5A), Harmony - 6:23 Rage Mix is a club-tempo deep house production. It reads as dark and driving. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 15 dB). More underground than 99% of Kerri Chandler's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- darker than 90% of Kerri Chandler's catalogue
- Energy:
- calmer than 85% of Kerri Chandler's catalogue
- Tempo:
- slower than 75% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Harmony - 6:23 Rage Mix in?
Harmony - 6:23 Rage Mix by Kerri Chandler is in C minor, or 5A on the Camelot wheel.
What BPM is Harmony - 6:23 Rage Mix?
Harmony - 6:23 Rage Mix runs at 124 BPM, a club-tempo track.
What mixes well with Harmony - 6:23 Rage Mix?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Harmony - 6:23 Rage Mix good for peak time?
With energy 61 out of 100 at 124 BPM, it works best as a mid-set roller.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 124 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
![Change Your Mind [District 8] - Full Vocal by Kerri Chandler cover art](https://i.scdn.co/image/ab67616d00001e027988d19449b35938f845e90c){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.