Take Off
30s preview
- Key
- 8B · C major
- BPM
- 119
- Open Key
- 1d
- Energy
- 71/100
- Pop
- 0/100
- Length
- 5:16
- Released
- 2015
- Album
- No Home
- Genre
- House
- Label
- Kontor Records
- Loudness
- -14.5 dB
- Dynamics
- 13.4 dB
- ISRC
- DEN061500212
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Take Offoriginal8B · 119
- Take Off - Sascha Braemer Remixremix2B · 123
Take Off is a club-tempo house track in C major (8B) at 119 BPM. It reads as dark and driving. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2015 production that still circulates in sets. More underground than 99% of Sascha Braemer's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- darker than 95% of Sascha Braemer's catalogue
- Tempo:
- slower than 93% of Sascha Braemer's catalogue
- Groove:
- less groove-driven than 91% of Sascha Braemer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Take Off in?
Take Off by Sascha Braemer is in C major, or 8B on the Camelot wheel.
What BPM is Take Off?
Take Off runs at 119 BPM, a club-tempo track.
What mixes well with Take Off?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Take Off good for peak time?
With energy 71 out of 100 at 119 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 119 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 112-126 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 119 — beatmatch without a big tempo pull.
![Houdini (Adam Port Mix) [Extended] by Adam Port cover art](https://i.scdn.co/image/ab67616d00001e02eff5e7d2e10fe38bb1d72d56){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 119 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
