Don't Ever Wake Me Up
- Key
- 9A · E minor
- BPM
- 119
- Open Key
- 2m
- Energy
- 73/100
- Pop
- 16/100
- Length
- 5:58
- Released
- 2023
- Genre
- Tech House
- Loudness
- -9.7 dB
- ISRC
- DEXN82422187
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Don't Ever Wake Me Up runs 119 BPM in E minor (9A), a club-tempo tech house record. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. For programming, treat it as a floor-filler.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Don't Ever Wake Me Up in?
Don't Ever Wake Me Up by Oliver Koletzki is in E minor, or 9A on the Camelot wheel.
What BPM is Don't Ever Wake Me Up?
Don't Ever Wake Me Up runs at 119 BPM, a club-tempo track.
What mixes well with Don't Ever Wake Me Up?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Don't Ever Wake Me Up good for peak time?
With energy 73 out of 100 at 119 BPM, it works best as a floor-filler.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 119 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 112-126 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 119 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 119 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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