Shades of Black by Breakbot cover art

Shades of Black

Breakbot

30s preview

Key
4A · F minor
BPM
120
Open Key
9m
Energy
77/100
Pop
0/100
Length
2:43
Released
2012
Genre
Disco
Loudness
-2.3 dB
Dynamics
13.1 dB
ISRC
FR0NT1100290

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 120 BPM in F minor (4A), Shades of Black is a club-tempo disco production. The feel is bright and euphoric. The groove is strong and floor-ready. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). A 2012 production that still circulates in sets. More underground than 99% of Breakbot's catalogue. In a set it works best as a floor-filler.

Brightness:
brighter than 96% of Breakbot's catalogue
Groove:
groovier than 95% of Breakbot's catalogue
Low end:
more treble-tilted than 76% of Breakbot's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy77
Mood97Bright
Groove95
Acoustic23
Instrumental55
Live8
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Shades of Black in?

Shades of Black by Breakbot is in F minor, or 4A on the Camelot wheel.

What BPM is Shades of Black?

Shades of Black runs at 120 BPM, a club-tempo track.

What mixes well with Shades of Black?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Shades of Black good for peak time?

With energy 77 out of 100 at 120 BPM, it works best as a floor-filler.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 120 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

#TrackKey·BPM

More disco

More from Breakbot

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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