Je T'aime - Main Mix
30s preview
- BPM
- 124
- Open Key
- 7m
- Energy
- 36/100
- Pop
- 5/100
- Length
- 7:11
- Released
- 2007
- Album
- All I Have Is This Feeling & Je T'aime
- Genre
- Deep House
- Loudness
- -13.2 dB
- Dynamics
- 11.8 dB
- ISRC
- USJ5L0700018
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo deep house cut, Je T'aime - Main Mix sits in E♭ minor (2A) at 124 BPM. The feel is warm and mellow. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2007 production that still circulates in sets. Calmer than 99% of Kerri Chandler's catalogue.
- Low end:
- more bass-heavy than 91% of Kerri Chandler's catalogue
- Groove:
- less groove-driven than 81% of Kerri Chandler's catalogue
- Tempo:
- slower than 75% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Je T'aime - Main Mix in?
Je T'aime - Main Mix by Kerri Chandler is in E♭ minor, or 2A on the Camelot wheel.
What BPM is Je T'aime - Main Mix?
Je T'aime - Main Mix runs at 124 BPM, a club-tempo track.
What mixes well with Je T'aime - Main Mix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is Je T'aime - Main Mix good for peak time?
With energy 36 out of 100 at 124 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 124 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More deep house
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.