Arrow And Bow - Channel X Dub-Mix
30s preview
- Key
- 7A · D minor
- BPM
- 124
- Open Key
- 12m
- Energy
- 34/100
- Pop
- 2/100
- Length
- 7:16
- Released
- 2010
- Album
- Arrow And Bow
- Genre
- Tech House
- Loudness
- -13.8 dB
- Dynamics
- 12.5 dB
- ISRC
- DEKN60900245
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Arrow and Bow - Marek Hemmann Remixremix7A · 125
- Arrow and Bow - Original Versionoriginal6A · 125
- Arrow And Bow - Oliver Koletzki Remixremix6A · 125
Against the original (6A at 125 BPM), this version runs 1 BPM slower and moves the key from 6A to 7A.
At 124 BPM in D minor (7A), Arrow And Bow - Channel X Dub-Mix is a club-tempo tech house production. Tonally it lands subdued and even. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2010 production that still circulates in sets. Calmer than 99% of Oliver Koletzki's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Low end:
- more treble-tilted than 86% of Oliver Koletzki's catalogue
- Groove:
- groovier than 82% of Oliver Koletzki's catalogue
- Reach:
- more underground than 76% of Oliver Koletzki's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Arrow And Bow - Channel X Dub-Mix in?
Arrow And Bow - Channel X Dub-Mix by Oliver Koletzki is in D minor, or 7A on the Camelot wheel.
What BPM is Arrow And Bow - Channel X Dub-Mix?
Arrow And Bow - Channel X Dub-Mix runs at 124 BPM, a club-tempo track.
What mixes well with Arrow And Bow - Channel X Dub-Mix?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Arrow And Bow - Channel X Dub-Mix good for peak time?
With energy 34 out of 100 at 124 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 124 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More tech house
More from Oliver Koletzki
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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