Play To Win - Radio Slave Dub
30s preview
- BPM
- 124
- Open Key
- 6m
- Energy
- 32/100
- Pop
- 0/100
- Length
- 10:19
- Released
- 2011
- Album
- Works! Selected Remixes 2006 - 2010
- Genre
- Techno
- Loudness
- -11.7 dB
- Dynamics
- 10.1 dB
- ISRC
- GBJRX0700007
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo techno cut, Play To Win - Radio Slave Dub sits in A♭ minor (1A) at 124 BPM. Tonally it lands brooding and low-slung. The groove is strong and floor-ready. The mix is almost entirely instrumental. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2011 production that still circulates in sets. More underground than 99% of Radio Slave's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Low end:
- more bass-heavy than 98% of Radio Slave's catalogue
- Energy:
- calmer than 94% of Radio Slave's catalogue
- Groove:
- groovier than 89% of Radio Slave's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 58%
- Low
- 30-130 Hz
- 37%
- Low-mid
- 130-570 Hz
- 4%
- Upper-mid
- 570 Hz-2.5 kHz
- 0%
- High
- 2.5-11 kHz
FAQ
What key is Play To Win - Radio Slave Dub in?
Play To Win - Radio Slave Dub by Radio Slave is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Play To Win - Radio Slave Dub?
Play To Win - Radio Slave Dub runs at 124 BPM, a club-tempo track.
What mixes well with Play To Win - Radio Slave Dub?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Play To Win - Radio Slave Dub good for peak time?
With energy 32 out of 100 at 124 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 124 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More techno
More from Radio Slave
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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