Ooh
30s preview
- BPM
- 118
- Open Key
- 3m
- Energy
- 62/100
- Pop
- 1/100
- Length
- 5:52
- Released
- 2013
- Genre
- Uk Garage
- Loudness
- -8.8 dB
- Dynamics
- 13.0 dB
- ISRC
- GB4NT1300019
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Ooh is a mid-tempo uk garage track in B minor (10A) at 118 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2013 production that still circulates in sets. Slower than 85% of Zed Bias's catalogue. For programming, treat it as a mid-set roller.
- Energy:
- calmer than 81% of Zed Bias's catalogue
- Low end:
- more bass-heavy than 80% of Zed Bias's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Ooh in?
Ooh by Zed Bias is in B minor, or 10A on the Camelot wheel.
What BPM is Ooh?
Ooh runs at 118 BPM, a mid-tempo track.
What mixes well with Ooh?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Ooh good for peak time?
With energy 62 out of 100 at 118 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
![Latch (Kaik Remix) [feat. Sam Smith] by Disclosure cover art](https://i.scdn.co/image/ab67616d00001e02140d74c641b1e470e2da0871){kind=small}
How to mix it
In 10A at 118 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 111-125 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 118 — beatmatch without a big tempo pull.
More uk garage
More from Zed Bias
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 118 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.