Shall Go
30s preview
- Key
- 4A · F minor
- BPM
- 125
- Open Key
- 9m
- Energy
- 32/100
- Pop
- 0/100
- Length
- 5:42
- Released
- 2012
- Genre
- Uk Garage
- Loudness
- -12.1 dB
- Dynamics
- 15.1 dB
- ISRC
- USYBL1200160
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo uk garage cut, Shall Go sits in F minor (4A) at 125 BPM. Tonally it lands brooding and low-slung. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2012 production that still circulates in sets. Groovier than 99% of Todd Edwards's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Todd Edwards's catalogue
- Energy:
- calmer than 97% of Todd Edwards's catalogue
- Brightness:
- darker than 95% of Todd Edwards's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Shall Go in?
Shall Go by Todd Edwards is in F minor, or 4A on the Camelot wheel.
What BPM is Shall Go?
Shall Go runs at 125 BPM, a club-tempo track.
What mixes well with Shall Go?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Shall Go good for peak time?
With energy 32 out of 100 at 125 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 125 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More uk garage
More from Todd Edwards
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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