Boomerang featuring Robbie Rue (Vocal)
30s preview
- BPM
- 125
- Open Key
- 8m
- Energy
- 44/100
- Pop
- 0/100
- Length
- 4:52
- Released
- 2008
- Album
- Biasphere Ep
- Genre
- Uk Garage
- Loudness
- -15.4 dB
- Dynamics
- 16.4 dB
- ISRC
- GBPHK0700014
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo uk garage cut, Boomerang featuring Robbie Rue (Vocal) sits in B♭ minor (3A) at 125 BPM. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). A 2008 production that still circulates in sets. More underground than 99% of Zed Bias's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Energy:
- calmer than 97% of Zed Bias's catalogue
- Groove:
- groovier than 92% of Zed Bias's catalogue
- Low end:
- more bass-heavy than 87% of Zed Bias's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Boomerang featuring Robbie Rue (Vocal) in?
Boomerang featuring Robbie Rue (Vocal) by Zed Bias is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Boomerang featuring Robbie Rue (Vocal)?
Boomerang featuring Robbie Rue (Vocal) runs at 125 BPM, a club-tempo track.
What mixes well with Boomerang featuring Robbie Rue (Vocal)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Boomerang featuring Robbie Rue (Vocal) good for peak time?
With energy 44 out of 100 at 125 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More uk garage
More from Zed Bias
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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