Pain & Pleasure (feat. VANYFOX & Fédération Internationale du Bruit)
30s preview
- BPM
- 126
- Open Key
- 9d
- Energy
- 52/100
- Pop
- 25/100
- Length
- 4:03
- Released
- 2023
- Genre
- Uk Garage
- Loudness
- -8.5 dB
- Dynamics
- 10.9 dB
- ISRC
- CA5092300401
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Pain & Pleasure (feat. VANYFOX & Fédération Internationale du Bruit) runs 126 BPM in A♭ major (4B), a club-tempo uk garage record. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Calmer than 91% of Aluna's catalogue.
- Low end:
- more bass-heavy than 83% of Aluna's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Pain & Pleasure (feat. VANYFOX & Fédération Internationale du Bruit) in?
Pain & Pleasure (feat. VANYFOX & Fédération Internationale du Bruit) by Aluna is in A♭ major, or 4B on the Camelot wheel.
What BPM is Pain & Pleasure (feat. VANYFOX & Fédération Internationale du Bruit)?
Pain & Pleasure (feat. VANYFOX & Fédération Internationale du Bruit) runs at 126 BPM, a club-tempo track.
What mixes well with Pain & Pleasure (feat. VANYFOX & Fédération Internationale du Bruit)?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Pain & Pleasure (feat. VANYFOX & Fédération Internationale du Bruit) good for peak time?
With energy 52 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 126 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More uk garage
More from Aluna
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.