Computers Take over the World - Extended Club Mix by Armin van Buuren cover art

Computers Take over the World - Extended Club Mix

Armin van Buuren

30s preview

Key
8B · C major
BPM
126
Open Key
1d
Energy
63/100
Pop
0/100
Length
4:05
Released
2023
Album
Feel Again (Remixes)
Genre
Trance
Loudness
-7.4 dB
Dynamics
13.3 dB
ISRC
NLF712308484

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (3B at 140 BPM), this version runs 14 BPM slower and moves the key from 3B to 8B.

Computers Take over the World - Extended Club Mix: club-tempo trance, C major (8B), 126 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). Groovier than 99% of Armin van Buuren's catalogue. In a set it works best as a mid-set roller.

Reach:
more underground than 99% of Armin van Buuren's catalogue
Energy:
calmer than 90% of Armin van Buuren's catalogue
Tempo:
slower than 76% of Armin van Buuren's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy63
Mood33Dark
Groove85
Acoustic0
Instrumental36
Live10
Speech10

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
34%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Computers Take over the World - Extended Club Mix in?

Computers Take over the World - Extended Club Mix by Armin van Buuren is in C major, or 8B on the Camelot wheel.

What BPM is Computers Take over the World - Extended Club Mix?

Computers Take over the World - Extended Club Mix runs at 126 BPM, a club-tempo track.

What mixes well with Computers Take over the World - Extended Club Mix?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Computers Take over the World - Extended Club Mix good for peak time?

With energy 63 out of 100 at 126 BPM, it works best as a mid-set roller.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

#TrackKey·BPM

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 126 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More trance

More from Armin van Buuren

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

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