Live Forever - Solid Stone Extended Remix
30s preview
- BPM
- 126
- Open Key
- 3m
- Energy
- 64/100
- Pop
- 0/100
- Length
- 6:38
- Released
- 2012
- Album
- Live Forever
- Genre
- Trance
- Loudness
- -11.0 dB
- Dynamics
- 9.8 dB
- ISRC
- NLQ881600177
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Live Forever [Listener's Choice] [CC471] (Shogun Remix)remix9A · 130
- Live Forever (CC494) [Solid Stone Remix]remix9A · 126
- Live Forever - Gareth Emery Extended Remixremix10B · 130
- Live Forever - Gareth Emery Remixremix10A · 130
- Live Forever - Solid Stone Remixremix9A · 126
- Live Forever (feat. Aruna) - Michael Woods Remixremix9A · 127
Live Forever - Solid Stone Extended Remix is a club-tempo trance track in B minor (10A) at 126 BPM. It reads as dark and driving. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. More underground than 99% of Ferry Corsten's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- groovier than 97% of Ferry Corsten's catalogue
- Low end:
- more bass-heavy than 90% of Ferry Corsten's catalogue
- Brightness:
- darker than 84% of Ferry Corsten's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Live Forever - Solid Stone Extended Remix in?
Live Forever - Solid Stone Extended Remix by Ferry Corsten is in B minor, or 10A on the Camelot wheel.
What BPM is Live Forever - Solid Stone Extended Remix?
Live Forever - Solid Stone Extended Remix runs at 126 BPM, a club-tempo track.
What mixes well with Live Forever - Solid Stone Extended Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Live Forever - Solid Stone Extended Remix good for peak time?
With energy 64 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 126 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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