Boss Skank by Zed Bias cover art

Boss Skank

Zed Bias

Key
10B · D major
BPM
125
Open Key
3d
Energy
52/100
Pop
2/100
Length
6:57
Released
2013
Genre
Uk Garage
Loudness
-11.7 dB
ISRC
GB4NT1300012

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Boss Skank runs 125 BPM in D major (10B), a club-tempo uk garage record. It reads as dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. Calmer than 92% of Zed Bias's catalogue. For programming, treat it as a mid-set roller.

Brightness:
darker than 90% of Zed Bias's catalogue
Groove:
groovier than 79% of Zed Bias's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy52
Mood15Dark
Groove81
Acoustic0
Instrumental90
Live6
Speech12

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Boss Skank in?

Boss Skank by Zed Bias is in D major, or 10B on the Camelot wheel.

What BPM is Boss Skank?

Boss Skank runs at 125 BPM, a club-tempo track.

What mixes well with Boss Skank?

From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.

Is Boss Skank good for peak time?

With energy 52 out of 100 at 125 BPM, it works best as a mid-set roller.

Mixes harmonically

10B9B · 11B · 10A

From 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.

#TrackKey·BPM

Every move from 10B

11BSimple Mix Upper
9BSimple Mix Downer
10ATonal Shift·
11ADiagonal Mix Upper
9ADiagonal Mix Downer
1ACompatible Tone·
12BHigh Energy Boost▲▲▲
8BHigh Energy Drain▼▼▼
1BParallel Key Upper▲▲
7BParallel Key Downer▼▼
5BTritone Jump▲▲
2BRelated Keyrisky

How to mix it

In 10B at 125 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

#TrackKey·BPM

More uk garage

#TrackKey·BPM

More from Zed Bias

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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