Tomorrow - Todd Edwards Mix
30s preview
- BPM
- 125
- Open Key
- 9d
- Energy
- 64/100
- Pop
- 2/100
- Length
- 9:07
- Released
- 2023
- Album
- Tomorrow (Todd Edwards Remixes)
- Genre
- Uk Garage
- Loudness
- -9.2 dB
- Dynamics
- 10.1 dB
- ISRC
- USNRS2343071
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Tomorrow - Todd Edwards Classic Disco Mixoriginal4B · 125
- Tomorrow - Todd Edwards Instrumentaloriginal4B · 125
Tomorrow - Todd Edwards Mix is a club-tempo uk garage track in A♭ major (4B) at 125 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. More bass-heavy than 95% of Todd Edwards's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- darker than 89% of Todd Edwards's catalogue
- Groove:
- less groove-driven than 87% of Todd Edwards's catalogue
- Tempo:
- slower than 77% of Todd Edwards's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Tomorrow - Todd Edwards Mix in?
Tomorrow - Todd Edwards Mix by Todd Edwards is in A♭ major, or 4B on the Camelot wheel.
What BPM is Tomorrow - Todd Edwards Mix?
Tomorrow - Todd Edwards Mix runs at 125 BPM, a club-tempo track.
What mixes well with Tomorrow - Todd Edwards Mix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Tomorrow - Todd Edwards Mix good for peak time?
With energy 64 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
![Feelin' Red [DC10] - Main Mix by Kerri Chandler cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/c79e30f17ec604f18898.webp){kind=small}
How to mix it
In 4B at 125 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More uk garage
More from Todd Edwards
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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