Yo What by Todd Terry cover art

Yo What

Todd Terry

Key
3A · B♭ minor
BPM
125
Open Key
8m
Energy
64/100
Pop
3/100
Length
2:53
Released
2022
Genre
House
Loudness
-12.6 dB
ISRC
USMKQ2200034

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A club-tempo house cut, Yo What sits in B♭ minor (3A) at 125 BPM. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Calmer than 95% of Todd Terry's catalogue. In a set it works best as a mid-set roller.

Brightness:
brighter than 95% of Todd Terry's catalogue
Groove:
less groove-driven than 75% of Todd Terry's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy64
Mood90Bright
Groove74
Acoustic0
Instrumental72
Live7
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Yo What in?

Yo What by Todd Terry is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Yo What?

Yo What runs at 125 BPM, a club-tempo track.

What mixes well with Yo What?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Yo What good for peak time?

With energy 64 out of 100 at 125 BPM, it works best as a mid-set roller.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

#TrackKey·BPM

More house

#TrackKey·BPM

More from Todd Terry

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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