The End Of The Lime
30s preview
- Key
- 9B · G major
- BPM
- 125
- Open Key
- 2d
- Energy
- 64/100
- Pop
- 20/100
- Length
- 4:10
- Released
- 2021
- Album
- Enthusiasm
- Genre
- Tech House
- Loudness
- -6.3 dB
- Dynamics
- 7.7 dB
- ISRC
- GBKQU2174038
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo tech house cut, The End Of The Lime sits in G major (9B) at 125 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 90% of Claude VonStroke's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- darker than 89% of Claude VonStroke's catalogue
- Groove:
- less groove-driven than 88% of Claude VonStroke's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is The End Of The Lime in?
The End Of The Lime by Claude VonStroke is in G major, or 9B on the Camelot wheel.
What BPM is The End Of The Lime?
The End Of The Lime runs at 125 BPM, a club-tempo track.
What mixes well with The End Of The Lime?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is The End Of The Lime good for peak time?
With energy 64 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 125 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Claude VonStroke
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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