Low Memory
30s preview
- BPM
- 125
- Open Key
- 6m
- Energy
- 64/100
- Pop
- 0/100
- Length
- 9:00
- Released
- 2011
- Album
- Tremodo EP
- Genre
- Tech House
- Loudness
- -13.8 dB
- Dynamics
- 12.7 dB
- ISRC
- DEH741100002
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Low Memoryoriginal1A · 125
- Low Memory - Douglas Greed Remixremix2A · 125
A club-tempo tech house cut, Low Memory sits in A♭ minor (1A) at 125 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2011 production that still circulates in sets. More underground than 99% of Oliver Schories's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 80% of Oliver Schories's catalogue
- Tempo:
- faster than 75% of Oliver Schories's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is Low Memory in?
Low Memory by Oliver Schories is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Low Memory?
Low Memory runs at 125 BPM, a club-tempo track.
What mixes well with Low Memory?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Low Memory good for peak time?
With energy 64 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 125 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Oliver Schories
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
