You Come from Heaven - Zomoon Remix
- Key
- 8B · C major
- BPM
- 125
- Open Key
- 1d
- Energy
- 64/100
- Pop
- 1/100
- Length
- 6:37
- Released
- 2011
- Album
- You Come from Heaven
- Genre
- Deep House
- Loudness
- -10.0 dB
- ISRC
- USAQN1141704
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You Come from Heavenoriginal10B · 124
- You Come from Heaven - Chris Minus Deep Fried Remixremix8A · 124
- You Come from Heaven - Silvia Zaragoza Remixremix3A · 124
Against the original (10B at 124 BPM), this version runs 1 BPM faster and moves the key from 10B to 8B.
You Come from Heaven - Zomoon Remix: club-tempo deep house, C major (8B), 125 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2011 production that still circulates in sets. Faster than 78% of Pablo Fierro's catalogue. In a set it works best as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is You Come from Heaven - Zomoon Remix in?
You Come from Heaven - Zomoon Remix by Pablo Fierro is in C major, or 8B on the Camelot wheel.
What BPM is You Come from Heaven - Zomoon Remix?
You Come from Heaven - Zomoon Remix runs at 125 BPM, a club-tempo track.
What mixes well with You Come from Heaven - Zomoon Remix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is You Come from Heaven - Zomoon Remix good for peak time?
With energy 64 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 125 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More deep house
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Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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