You Come from Heaven - Chris Minus Deep Fried Remix
- Key
- 8A · A minor
- BPM
- 124
- Open Key
- 1m
- Energy
- 74/100
- Pop
- 0/100
- Length
- 8:36
- Released
- 2011
- Album
- You Come from Heaven
- Genre
- Deep House
- Loudness
- -7.8 dB
- ISRC
- USAQN1141702
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- You Come from Heaven - Zomoon Remixremix8B · 125
- You Come from Heavenoriginal10B · 124
- You Come from Heaven - Silvia Zaragoza Remixremix3A · 124
Against the original (10B at 124 BPM), this version holds the same tempo and moves the key from 10B to 8A.
A club-tempo deep house cut, You Come from Heaven - Chris Minus Deep Fried Remix sits in A minor (8A) at 124 BPM. A 2011 production that still circulates in sets. More underground than 99% of Pablo Fierro's catalogue. In a set it works best as a floor-filler.
- Brightness:
- brighter than 87% of Pablo Fierro's catalogue
- Groove:
- groovier than 85% of Pablo Fierro's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is You Come from Heaven - Chris Minus Deep Fried Remix in?
You Come from Heaven - Chris Minus Deep Fried Remix by Pablo Fierro is in A minor, or 8A on the Camelot wheel.
What BPM is You Come from Heaven - Chris Minus Deep Fried Remix?
You Come from Heaven - Chris Minus Deep Fried Remix runs at 124 BPM, a club-tempo track.
What mixes well with You Come from Heaven - Chris Minus Deep Fried Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is You Come from Heaven - Chris Minus Deep Fried Remix good for peak time?
With energy 74 out of 100 at 124 BPM, it works best as a floor-filler.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 124 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More deep house
More from Pablo Fierro
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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