It Ain't Right - Extended Mix
30s preview
- Key
- 8B · C major
- BPM
- 124
- Open Key
- 1d
- Energy
- 73/100
- Pop
- 10/100
- Length
- 6:04
- Released
- 2024
- Album
- It Ain't Right
- Genre
- House
- Loudness
- -6.6 dB
- Dynamics
- 9.2 dB
- ISRC
- GBPQS2400362
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- It Ain't Rightoriginal6B · 124
Against the original (6B at 124 BPM), this version holds the same tempo and moves the key from 6B to 8B.
At 124 BPM in C major (8B), It Ain't Right - Extended Mix is a club-tempo house production. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. Darker than 84% of Kevin McKay's catalogue.
- Energy:
- calmer than 82% of Kevin McKay's catalogue
- Tempo:
- slower than 79% of Kevin McKay's catalogue
- Low end:
- more bass-heavy than 78% of Kevin McKay's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is It Ain't Right - Extended Mix in?
It Ain't Right - Extended Mix by Kevin McKay is in C major, or 8B on the Camelot wheel.
What BPM is It Ain't Right - Extended Mix?
It Ain't Right - Extended Mix runs at 124 BPM, a club-tempo track.
What mixes well with It Ain't Right - Extended Mix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is It Ain't Right - Extended Mix good for peak time?
With energy 73 out of 100 at 124 BPM, it works best as a floor-filler.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 124 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 124 — beatmatch without a big tempo pull.
More house
![You Get Lost In It [The Warehouse Project] - Instrumental by Kerri Chandler cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/de48a82754bcbf85ea19.webp){kind=small}
More from Kevin McKay
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.