Never Ever Ever (feat. shiv) - Henrik Schwarz Remix
30s preview
- Key
- 4A · F minor
- BPM
- 125
- Open Key
- 9m
- Energy
- 63/100
- Pop
- 4/100
- Length
- 3:45
- Released
- 2024
- Album
- Never Ever Ever (feat. shiv) [Henrik Schwarz Remix]
- Genre
- House
- Loudness
- -7.6 dB
- Dynamics
- 9.5 dB
- ISRC
- GBCPZ2423282
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
A club-tempo house cut, Never Ever Ever (feat. shiv) - Henrik Schwarz Remix sits in F minor (4A) at 125 BPM. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Brighter than 85% of Henrik Schwarz's catalogue. In a set it works best as a mid-set roller.
- Groove:
- groovier than 83% of Henrik Schwarz's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Never Ever Ever (feat. shiv) - Henrik Schwarz Remix in?
Never Ever Ever (feat. shiv) - Henrik Schwarz Remix by Henrik Schwarz is in F minor, or 4A on the Camelot wheel.
What BPM is Never Ever Ever (feat. shiv) - Henrik Schwarz Remix?
Never Ever Ever (feat. shiv) - Henrik Schwarz Remix runs at 125 BPM, a club-tempo track.
What mixes well with Never Ever Ever (feat. shiv) - Henrik Schwarz Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Never Ever Ever (feat. shiv) - Henrik Schwarz Remix good for peak time?
With energy 63 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 125 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Henrik Schwarz
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
