Refresh V
30s preview
- BPM
- 125
- Open Key
- 7d
- Energy
- 63/100
- Pop
- 4/100
- Length
- 7:20
- Released
- 2007
- Album
- Yellow Kitchen E.P.
- Genre
- Tech House
- Loudness
- -11.9 dB
- Dynamics
- 11.6 dB
- ISRC
- DEZ650701603
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Refresh Voriginal2B · 125
Refresh V runs 125 BPM in F♯ major (2B), a club-tempo tech house record. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2007 production that still circulates in sets. Slower than 99% of Boris Brejcha's catalogue. In a set it works best as a mid-set roller.
- Reach:
- more underground than 87% of Boris Brejcha's catalogue
- Low end:
- more bass-heavy than 81% of Boris Brejcha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Refresh V in?
Refresh V by Boris Brejcha is in F♯ major, or 2B on the Camelot wheel.
What BPM is Refresh V?
Refresh V runs at 125 BPM, a club-tempo track.
What mixes well with Refresh V?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Refresh V good for peak time?
With energy 63 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 125 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Boris Brejcha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
