I've Still Got Sunshine
- BPM
- 125
- Open Key
- 8d
- Energy
- 62/100
- Pop
- 0/100
- Length
- 5:55
- Released
- 2014
- Genre
- Uk Garage
- Loudness
- -8.4 dB
- ISRC
- USYBL1400421
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I've Still Got Sunshine - Michael The Lion Remixremix12A · 117
- I've Still Got Sunshine - Pat Lok Remixremix12A · 120
- I've Still Got Sunshine - Pittsburgh Track Authority Remixremix9B · 127
At 125 BPM in D♭ major (3B), I've Still Got Sunshine is a club-tempo uk garage production. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. A 2014 production that still circulates in sets. More underground than 99% of Todd Edwards's catalogue. For programming, treat it as a mid-set roller.
- Groove:
- less groove-driven than 81% of Todd Edwards's catalogue
- Energy:
- calmer than 78% of Todd Edwards's catalogue
- Tempo:
- slower than 77% of Todd Edwards's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is I've Still Got Sunshine in?
I've Still Got Sunshine by Todd Edwards is in D♭ major, or 3B on the Camelot wheel.
What BPM is I've Still Got Sunshine?
I've Still Got Sunshine runs at 125 BPM, a club-tempo track.
What mixes well with I've Still Got Sunshine?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is I've Still Got Sunshine good for peak time?
With energy 62 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 125 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More uk garage
More from Todd Edwards
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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