Jammin - Extended Mix
30s preview
- BPM
- 125
- Open Key
- 8d
- Energy
- 62/100
- Pop
- 0/100
- Length
- 6:14
- Released
- 2020
- Album
- Jammin
- Genre
- House
- Loudness
- -11.5 dB
- Dynamics
- 14.1 dB
- ISRC
- USMKQ2000068
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Jamminoriginal3B · 125
- Jammin - Retro Editversion12A · 124
Against the original (3B at 125 BPM), this version holds the same tempo in the same key.
Jammin - Extended Mix is a club-tempo house track in D♭ major (3B) at 125 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). More underground than 99% of Todd Terry's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- darker than 97% of Todd Terry's catalogue
- Energy:
- calmer than 96% of Todd Terry's catalogue
- Low end:
- more bass-heavy than 90% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Jammin - Extended Mix in?
Jammin - Extended Mix by Todd Terry is in D♭ major, or 3B on the Camelot wheel.
What BPM is Jammin - Extended Mix?
Jammin - Extended Mix runs at 125 BPM, a club-tempo track.
What mixes well with Jammin - Extended Mix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Jammin - Extended Mix good for peak time?
With energy 62 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 125 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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