Destroyer - Original Mix
- BPM
- 125
- Open Key
- 9d
- Energy
- 63/100
- Pop
- 0/100
- Length
- 6:10
- Released
- 2011
- Album
- Monkey Movin'
- Genre
- Progressive House
- Loudness
- -9.0 dB
- ISRC
- NLL331100006
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo progressive house cut, Destroyer - Original Mix sits in A♭ major (4B) at 125 BPM. The mix is almost entirely instrumental. A 2011 production that still circulates in sets. More underground than 99% of Eelke Kleijn's catalogue.
- Groove:
- groovier than 96% of Eelke Kleijn's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Destroyer - Original Mix in?
Destroyer - Original Mix by Eelke Kleijn is in A♭ major, or 4B on the Camelot wheel.
What BPM is Destroyer - Original Mix?
Destroyer - Original Mix runs at 125 BPM, a club-tempo track.
What mixes well with Destroyer - Original Mix?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Destroyer - Original Mix good for peak time?
With energy 63 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 125 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More progressive house
More from Eelke Kleijn
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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