The Girl From The Moon - Original Mix by Gaetano Parisio cover art

The Girl From The Moon - Original Mix

Gaetano Parisio

30s preview

Key
9A · E minor
BPM
125
Open Key
2m
Energy
63/100
Pop
0/100
Length
8:12
Released
2017
Album
The Girl From The Moon
Genre
Techno
Loudness
-10.6 dB
Dynamics
10.2 dB
ISRC
USLZJ1779387

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

The Girl From The Moon - Original Mix runs 125 BPM in E minor (9A), a club-tempo techno record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. Slower than 99% of Gaetano Parisio's catalogue. In a set it works best as a mid-set roller.

Reach:
more underground than 99% of Gaetano Parisio's catalogue
Energy:
calmer than 97% of Gaetano Parisio's catalogue
Brightness:
brighter than 88% of Gaetano Parisio's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy63
Mood58Balanced
Groove79
Acoustic0
Instrumental75
Live11
Speech10

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
17%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is The Girl From The Moon - Original Mix in?

The Girl From The Moon - Original Mix by Gaetano Parisio is in E minor, or 9A on the Camelot wheel.

What BPM is The Girl From The Moon - Original Mix?

The Girl From The Moon - Original Mix runs at 125 BPM, a club-tempo track.

What mixes well with The Girl From The Moon - Original Mix?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is The Girl From The Moon - Original Mix good for peak time?

With energy 63 out of 100 at 125 BPM, it works best as a mid-set roller.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

#TrackKey·BPM

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 125 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

#TrackKey·BPM

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#TrackKey·BPM

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#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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