The Girl From The Moon - Alberto Ruiz & Oscar Aguilera Remix
- BPM
- 125
- Open Key
- 8m
- Energy
- 94/100
- Pop
- 0/100
- Length
- 7:10
- Released
- 2017
- Album
- The Girl From The Moon
- Genre
- Techno
- Loudness
- -8.4 dB
- ISRC
- USLZJ1779389
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Girl From The Moon - Dani Sbert Remixremix9B · 126
- The Girl From The Moon - Mr.Bizz Remixremix9B · 127
- The Girl From The Moon - Original Mixoriginal9A · 125
- The Girl From The Moon - Zakari&Blange Remixremix11A · 126
Against the original (9A at 125 BPM), this version holds the same tempo and moves the key from 9A to 3A.
The Girl From The Moon - Alberto Ruiz & Oscar Aguilera Remix: club-tempo techno, B♭ minor (3A), 125 BPM. The mix is almost entirely instrumental. A 2017 production that still circulates in sets. Slower than 99% of Gaetano Parisio's catalogue. In a set it works best as a peak-time weapon.
- Reach:
- more underground than 99% of Gaetano Parisio's catalogue
- Groove:
- groovier than 92% of Gaetano Parisio's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is The Girl From The Moon - Alberto Ruiz & Oscar Aguilera Remix in?
The Girl From The Moon - Alberto Ruiz & Oscar Aguilera Remix by Gaetano Parisio is in B♭ minor, or 3A on the Camelot wheel.
What BPM is The Girl From The Moon - Alberto Ruiz & Oscar Aguilera Remix?
The Girl From The Moon - Alberto Ruiz & Oscar Aguilera Remix runs at 125 BPM, a club-tempo track.
What mixes well with The Girl From The Moon - Alberto Ruiz & Oscar Aguilera Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is The Girl From The Moon - Alberto Ruiz & Oscar Aguilera Remix good for peak time?
With energy 94 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
![I See [Razzmatazz] - Instrumental by Kerri Chandler cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/d68ab51c71644b39f252.webp){kind=small}
How to mix it
In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More techno
More from Gaetano Parisio
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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