Union City Nights - Mood EP Version by Kerri Chandler cover art

Union City Nights - Mood EP Version

Kerri Chandler

30s preview

Key
3A · B♭ minor
BPM
124
Open Key
8m
Energy
45/100
Pop
5/100
Length
8:09
Released
2007
Album
Kerri Chandler's Nervous Tracks
Genre
Deep House
Loudness
-15.7 dB
Dynamics
14.3 dB
ISRC
USNRS0621111

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Union City Nights - Mood EP Version runs 124 BPM in B♭ minor (3A), a club-tempo deep house record. Tonally it lands bright and easy. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2007 production that still circulates in sets. Calmer than 96% of Kerri Chandler's catalogue. For programming, treat it as a mid-set roller.

Brightness:
brighter than 88% of Kerri Chandler's catalogue
Low end:
more bass-heavy than 86% of Kerri Chandler's catalogue
Tempo:
slower than 75% of Kerri Chandler's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy45
Mood81Bright
Groove75
Acoustic0
Instrumental89
Live7
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
16%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is Union City Nights - Mood EP Version in?

Union City Nights - Mood EP Version by Kerri Chandler is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Union City Nights - Mood EP Version?

Union City Nights - Mood EP Version runs at 124 BPM, a club-tempo track.

What mixes well with Union City Nights - Mood EP Version?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Union City Nights - Mood EP Version good for peak time?

With energy 45 out of 100 at 124 BPM, it works best as a mid-set roller.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#TrackKey·BPM

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 124 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 117-131 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 124 — beatmatch without a big tempo pull.

More deep house

#TrackKey·BPM

More from Kerri Chandler

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 124 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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