Redemption - MJ Cole Radio Edit
30s preview
- Key
- 8A · A minor
- BPM
- 128
- Open Key
- 1m
- Energy
- 71/100
- Pop
- 2/100
- Length
- 3:00
- Released
- 2015
- Album
- Redemption (Remixes 2)
- Genre
- Drum N Bass
- Loudness
- -5.9 dB
- Dynamics
- 11.3 dB
- ISRC
- GBSXS1500180
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Redemption - Original Mixoriginal8B · 85
- Redemption - MJ Cole Remixremix8A · 128
- Redemption - Goldsmyth Editionversion8A · 84
- Redemption - Sigma VIP Mixoriginal9B · 85
- Redemption - Digital Farm Animals Remixremix5A · 80
- Redemption - Diztortion Refixoriginal11B · 100
Against the original (8B at 85 BPM), this version runs 43 BPM faster and moves the key from 8B to 8A.
Redemption - MJ Cole Radio Edit runs 128 BPM in A minor (8A), a peak-time tempo drum n bass record. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2015 production that still circulates in sets. Groovier than 94% of Sigma's catalogue. In a set it works best as a floor-filler.
- Brightness:
- brighter than 90% of Sigma's catalogue
- Energy:
- calmer than 85% of Sigma's catalogue
- Low end:
- more bass-heavy than 80% of Sigma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Redemption - MJ Cole Radio Edit in?
Redemption - MJ Cole Radio Edit by Sigma is in A minor, or 8A on the Camelot wheel.
What BPM is Redemption - MJ Cole Radio Edit?
Redemption - MJ Cole Radio Edit runs at 128 BPM, a peak-time tempo track.
What mixes well with Redemption - MJ Cole Radio Edit?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Redemption - MJ Cole Radio Edit good for peak time?
With energy 71 out of 100 at 128 BPM, it works best as a floor-filler.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 128 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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