Natalie’s Truth (instrumental)
- Key
- 4A · F minor
- BPM
- 128
- Open Key
- 9m
- Energy
- 16/100
- Pop
- 1/100
- Length
- 4:59
- Released
- 2017
- Genre
- Drum N Bass
- Loudness
- -11.2 dB
- ISRC
- GBBHF1310367
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Natalie’s Truth (instrumental) is a peak-time tempo drum n bass track in F minor (4A) at 128 BPM. The feel is brooding and low-slung. The groove is loose and less beat-driven. It is vocal-led. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. Calmer than 99% of Goldie's catalogue.
- Reach:
- more underground than 86% of Goldie's catalogue
- Groove:
- less groove-driven than 83% of Goldie's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Natalie’s Truth (instrumental) in?
Natalie’s Truth (instrumental) by Goldie is in F minor, or 4A on the Camelot wheel.
What BPM is Natalie’s Truth (instrumental)?
Natalie’s Truth (instrumental) runs at 128 BPM, a peak-time tempo track.
What mixes well with Natalie’s Truth (instrumental)?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Natalie’s Truth (instrumental) good for peak time?
With energy 16 out of 100 at 128 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 128 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More drum n bass
More from Goldie
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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